2 FilmsThe duology +
Saturday's extended cut
The Bridge Weekly
·
Issue №04
·
From the Show
Mon 18 May 2026 · Wk 109
The Newsletter
A Weekly From
Sammy Chand
Sammy Chand
The Bridge
with Sammy Chand
Rukus Avenue Radio · iHeartRadio · Premiere Networks
The Show
Daily · 9 AM PT
500+ Episodes
★ Now Live
SammyChand.com — the show, the archive, the industry notes, the booking door. Three decades in one place.
Visit →
500+ Episodes
· Still: Dhurandhar (2025)
★ This Week's Subject
Dhurandhar — a week inside the biggest South Asian Cinema franchise of the year.
Two films, one franchise. Saturday, the never-before-seen Raw and Undekha extended cut of The Revenge hits Netflix internationally — a longer version of Part Two with footage and songs the theatrical release didn't have. We spend four days inside it — the saga, the music, the franchise, and a Top 15 of the Dhurandhar soundtrack with the voice of the duology.
▶ Watch on Netflix →
Read the week's plan →
01
This Week On The Bridge — Mon → Fri
Mon · 18 MayEP 534
The Load-Bearing Work — How the Music Carried the Franchise
Kubbra Sait · the 1995 Punjabi source · the 2025 franchise spin · what to watch tonight
Tue · 19 MayEP 535
It Wasn't the Footage. It Was the Score. — The Revenge Soundtrack
Anushka Arora · top songs from the film · the impact of the duology
Wed · 20 MayEP 536
The Cut Isn't Longer. The Cut Is Fuller. — The Revenge & The Cut
Reshma Dordi · Together We Can · what Raw and Undekha adds · Dhurandhar 3?
Thu · 21 MayEP 537
Whether the Music Did Its Job. — Top 15 of the Duology
Indofuzon (live) · Sanjay, Suraj & Radhika · 15 songs, two films
Fri · 22 MayEP 538
The Weekly Top 20 — the count of record.
One hour · twenty songs · what the week did
▶ This Week's Subject ·
Programming Partner
Four days inside Dhurandhar.
Aditya Dhar shot seven hours of footage. He split it into two films. Dhurandhar (Dec 2025) and Dhurandhar: The Revenge (Mar 2026) became the third-highest-grossing South Asian Cinema franchise of all time — over $360M USD worldwide. Saturday, Netflix drops Raw and Undekha internationally — the never-before-seen extended cut of The Revenge, with additional footage and an expanded soundtrack the theatrical release didn't have. We spend four days inside it.
Mon · EP 534
The Setup
Why this matters, and the 1995 Punjabi folk classic at the franchise's heart.
Tue · EP 535
The Revenge Soundtrack
Top songs from Part Two with Anushka Arora on the impact of the duology.
Wed · EP 536
The Revenge & The Cut
What Raw and Undekha adds. The franchise. Dhurandhar 3?
Thu · EP 537
The Top 15
A countdown across both soundtracks. Hosted by the voice of the duology.
02
From Sammy — The Argument
The biggest Hindi film of the year sits on a song from 1995 that almost nobody under 40 knows.
Open the Dhurandhar title track and you'll find Hanumankind and Jasmine Sandlas trading verses over a beat that feels like 2025. But the bones of the song — the melody, the hook, the soul — are a Punjabi folk classic called Na De Dil Pardesi Nu, written by Babu Singh Maan (later an MP), composed by Charanjit Ahuja, sung by Muhammad Sadiq and Ranjit Kaur in 1995.
Aditya Dhar didn't pick that song by accident. He built a three-hour spy thriller around the emotional spine of a thirty-year-old folk record, then handed it to a Tamil Rapper from Houston, a Bollywood vocalist, and a Punjabi singer to reimagine. The result is the most-streamed Hindi soundtrack of 2025.
A 1995 Punjabi folk song is what Dhurandhar is actually built on. Listen for it.
— Sammy · Monday's Thesis
03
The Shape Of The Week
Four days, one franchise. Monday, we set up the saga — the music, the moment, why the duology matters. Watch Dhurandhar tonight. Tuesday, we decode Part 1 and you queue up The Revenge. Wednesday, we talk both films and what the new Netflix cut adds. Thursday, the music — a Top 15 across the two soundtracks. Saturday, the extended cut hits Netflix. Watch along.
This is the kind of week The Bridge does when a film matters — with the music doing the load-bearing work, the way a film actually lives in a culture.
★ Why This Matters
As the founder of Rukus Avenue Music Group, I've spent three decades helping shape the modern South Asian music industry from the executive side of the table — signing artists, building catalogs, brokering the deals that quietly moved the genre forward. What I bring to this mic isn't punditry. It's pattern recognition from inside the rooms where this generation's sound got built.
04
The Bridge — By The Numbers
17
Countries Charting
Apple Podcasts
Apple Podcasts
534+
Episodes
Daily Since 2023
Daily Since 2023
100%
U.S. Markets
via iHeartRadio
via iHeartRadio
1/1
Daily SA Music Show
In The World
In The World
Last Week — Origin Stories
Five nights, five arguments. I went on the record about the chart this genre doesn't have, the rapper the canon keeps skipping, the scene the diaspora won't talk about, and the math of every East × West collab that actually worked. My word, my receipts — on the record. If you missed any of it, the links below go straight to my iHeart.
— Sammy · from the show
Mon · 11 MayEP 529
The Chart We Don't Have
Twenty songs every Friday — the only chart this genre has. Billboard is in India now. They should pick up what I've been carrying for 500 weeks. Until they do, we keep counting.
Tue · 12 MayEP 530
Ground Zero — Kanwar Gill
Bohemia is canon. Kanwar Gill was first. The dates don't lie. From Aaj Kal Dhe Mundhey to Rambo with Jazzy B to From The Bay to Aashiqui — California Punjabi rap, on the record, before the canon began.
Wed · 13 MayEP 531
The State of the South Asian Hip-Hop Space
Three scenes, one movement. The diaspora built the room. The Punjabi wave filled it. The mainland is next through the door — Divine, KR$NA, Seedhe Maut, MC Stan, making music as good as anybody on Earth.
Thu · 14 MayEP 532
The Great Negotiation of the Collaboration
An East-West collab isn't a remix. It's months of lawyers untangling royalties across two copyright systems, translators in the studio, two label execs convincing each other. When it works, one plus one equals three.
Fri–Sun · 15–17 MayEP 533 · WEEKEND
Top 20 Countdown — №20 → №1
Morni holds №1 for W2. Sanju Rathod's Bangles debuts at №2 — the highest debut of the week, Marathi at the top of the count. Dhee's Vari Vari at №3 brings Tamil. Three languages in the top three — the most linguistically diverse top three all year. Three new entries land: From The Bay (Kanwar Gill × Fateh Doe), 1 Day (Sahib Samra), Top Fella (Karan Aujla). Wazir Patar's Rabab climbs into the Top 10. The diaspora is voting wider than the algorithm.
Recent Takes — From the Mic
Every Friday for 500 episodes I've done the closest thing this genre has to a real chart. Billboard is in India now. I hope they pick up the responsibility.
The Chart We Don't Have · Mon Open
I'm not asking you to take Bohemia's place in the canon away. I'm asking you to make room next to him for the man who walked first.
Ground Zero · Kanwar Gill
The diaspora built the room. The Punjabi wave filled it. The mainland scene is the next one through the door.
State of the SA Hip-Hop Space · India's Movement
One plus one equals three. That's the math of collaboration when it actually works — and every record on this chart that did is the future of this business.
The Great Negotiation · East × West
Last Week's Chart — the weekend count.
3
New Entries
This Week
This Week
1
Debut @ №2
Bangles
Bangles
W2
№1 Held
By Morni
By Morni
3
Languages
In The Top 3
In The Top 3
1
●
HOLD
2
★
NEW
3
★
NEW
4
●
—
5
★
NEW
6
★
NEW
7
▼
−4
8
▼
−1
9
●
—
10
▼
−4
11
▲
↑
12
★
NEW
13
●
—
14
●
—
15
▲
+2
16
▼
−6
17
▼
−5
18
★
NEW
19
▼
−11
20
▼
−9
▶ The Chart Story
Morni holds №1 for week two. Diljit's post-Fallon climb consolidates into something more permanent. Sanju Rathod's Bangles is the headline debut of the week — entering at №2 and bringing Marathi to the top of the count. Dhee's Vari Vari at №3 brings Tamil. Three languages in the top three — the most diverse top three of the year. Three new entries land in the count: Kanwar Gill × Fateh Doe with From The Bay, Sahib Samra's 1 Day, and Karan Aujla's Top Fella. Wazir Patar's Rabab climbs toward the Top 10. The diaspora is voting wider than the algorithm.
SammyChand.com is live.
★ The Sammy Chand Site — Rebuilt From Scratch
Three decades of the South Asian music business — finally in one place.
The show, the archive, the industry notes, and the front door to working with me — all under one roof. Built to be the home base for The Bridge and the work behind it.
01
The Bridge
Daily episodes, the archive, show notes, every platform to listen on.
02
About Sammy
Three decades inside the business — Rukus Avenue, the artists, the deals.
03
The Notes
My takes on the moment — the chart, the music, what's actually happening.
04
Press & Booking
Speaking, interviews, contact — the front door for media and partners.
Together We Can 2026 — Sat May 30
★ A free community event for mental health
Live music, speakers, yoga, henna, arts & crafts — and more.
★ On Wednesday's Show
Sammy talks with Reshma Dordi — the force behind Together We Can — about the event and the movement to bring mental health into the open.
▶ Sign up & learn more — takeactionLA.com →
On the Mic Thursday — Indofuzon
▶ EP 537 · Thu 21 May · In Conversation
Indie-pop, Sufi, Bollywood — and a “Trending” lane of classic Hindi reimaginings.
Founded in Chandigarh in 2013, based in Dubai since 2019. Led by core members Suraj Kalyan Verma and Sanjay Verma — Indian singer-songwriters who blend indie pop/folk, Bollywood (including retro), Sufi, and party dance numbers, with a signature lane reimagining classic Hindi film songs as “Trending” cuts — Husn Pahadon Ka, Isharon Isharon Main, Ankhiyon Ke Jharokhon, Beimaan Hai Aaj Mausam. Notable collaborations tied to Ravindra Jain; part of the Saregama catalog.
58.9K
Monthly Listeners
Spotify
Spotify
2M+
YouTube Views
“Duaa” Original
“Duaa” Original
12+
Years Live
Founded 2013
Founded 2013
DXB
Home Base
Since 2019
Since 2019
★ Live Circuit
Strong run across major Dubai venues — Taj · JW Marriott · Park Hyatt · Sheraton — plus corporate clients across India.
▶ Subscribe
2,000+ Subscribers · Free Forever
One newsletter. Every Monday.
The week ahead, the week behind, the chart that proves it. Sent at 8:58 AM PT — two minutes before the show airs.
▶ Broadcast On
